Sunday, September 22, 2013


One of the exhibitions I have most been looking forward to is the one that includes the famous Rajah Quilt... I have written about it before... It was every bit as fascinating as I expected, but it was by no means the only quilt of interest. 

I could have spent far longer exploring the intricacies of the wonderful quilts on display, so diverse, so intricate, so inspiring and to me, most importantly, such a wonderful glimpse of times gone by. 

 If you didn't get to see it, then it's too late, at least in Brisbane... maybe a trip to the UK is in order.

 This is part of what you missed.

Until 22 September 2013: 'Quilts 1700-1945' exhibition | Maker unknown | Central section from a printed cotton patchwork coverlet showing King George III reviewing the troops 1803-05 | © Victoria and Albert Museum, London | view full image

There was also....

and so many more. 

No photos were allowed to be taken at the exhibition, so these photos are courtesy of the 
Queensland Art Gallery exhibition information.

The Rajah Quilt is far larger than I expected, even though I had looked briefly at the measurements. 
Considering the conditions in which it was made, it is an incredible piece of work... a great achievement by many who had never sewn before. 

You can read more about it here...

I marvelled at the intricate designs of many of the quilts, at the very neat stitching, at the colour combinations and at the
patience and persistence of sewing by hand by daylight mainly and candlelight when available.

To me, the stand out quilt was simple, not particularly perfect sewing, but created with something far more important,

The Changi Quilt

Video may take a moment to load.

Olga Henderson with the Changi quilt at the V&A exhibition in London Photo: JAMES


OLGA HENDERSON: The hut we were put in was for 34 people to sleep in and there was 119 of us in it. So you can imagine what we were like. I mean you just more or less slept together and you had no bedding, you had nothing like that.
The Japanese gave us a piece of land and each person, each child worked it. But you were not allowed to eat anything off it. As soon as it ripened you had to tell the guard and they would pick it. You weren’t allowed to eat it at all.
I think the horrible thing was that you had no soap. You had water … if you were in the fields, because you had to work in the fields, if they turned the water on it wasn’t a gush, it was a very slow flow, but by the time you came off the field, picked your piece of tin up that you had – an old tin can – by the time you got there they’d turned the water off, so you had nothing. We used to try and clean our teeth with ash if you could get it. We used to get the little twigs and knock the ends off and make a toothbrush.
When we were first in Changi, after we’d all got settled down and were given our allotted spaces, it was very boring because there was nothing to do.  So Mrs Ennis decided to start a little girl guide group. There were 18 of us that started. Eileen and Helen and Evelyn and Shirley – they were all from one family. Shirley was the elder one. She was more the leader of one group. Mrs Ennis was the boss, you might say. We decided to do the quilt for Mrs Ennis as a birthday present. We didn’t know which year she was going to get it, but we started it anyway.
We left our homes and went as we were dressed so that’s all the clothes we had, so we had to make do. Practically all the time we were in patched bits and pieces. I started by having a little eidelweiss because I got a bit of blue wool and anything to get bits of material. We had to scrounge enough thread to make our own little badges. Thread and needles were the most important things and we used to get those by unpicking old dresses to get the thread from the seams. My mother took some needles in and thread. She gave us a little bit of thread, but it was like gold. But needles were the most important thing because you didn’t get any more. What you had in camp was what you had. We used to try and sharpen them on the concrete pavements, but it didn’t really work.

Tiny URL to a book that talks about the Changi Quilt...

There were other quilts made in Changi... see

As a lover of stitching, of patchwork, of history, 
of those who rail against incredible odds, I have been 
" truly replenished of soul ".


 Mary Cassatt's  "A Woman Sewing"

copyright expired

Every now and then you come across someone who makes an instant impression on your life. 

One such person was Ruth Stoneley, quilter, fibre artist, teacher, shop owner, mother, friend and Churchill Scholarship recipient... to summarise her incredible presence...

Many tributes have been written, one of the most moving was by her great friend, Judith Baker Montano... see link at the end of this article.

I had the pleasure of meeting Ruth for the first time in 1983... to say that she made an impression can best be summed up by the following ....


As I climbed the many stairs
I felt it reach out to me
We sat, coffee in hand,
amongst the clutter
that only 'moving in' can arrange..
and yet, the feeling was there
all around us.
In her company
I felt surrounded by tranquility
yet knee deep in energy.

The patchwork of her life
enveloped her
not merely in the marvellous fabrics
awaiting her creative talents
but in her assortment of baskets
and interesting glass jars. 
An old fashioned urn sat in a corner
resplendent with rolls of fabric
spouting from it's top
where once there'd been steam.

She explained her life
and her ideas and dreams
and wove them into a quilt of visions.
She was so content in her life
at peace with the world.
Today, I met a lady and her soul.

© Crissouli

Ruth Stoneley portrait by Richard Stringer.

Ruth introduced me to many ideas, one being the process of printing photos on fabric, something which I had admired, but hadn't got around to trying... This is but one of her pieces.... part of a beautiful memory quilt.

Sadly Ruth passed away in May 2007. 
She lives on in the incredible pieces she left behind and the lasting memories of all who knew her.

Ruth Stoneley, Australia 1940-2007 | Quilt: It’s not all sweetness and light (detail) 1983 | © The artist | view full image

Ruth Stoneley: A Stitch in Time

13 July – 7 October 2013 | Glencore Queensland Artists’ Gallery (Gallery 14), Queensland Art Gallery (QAG) | Free admission
Opening Hours
10.00am — 5.00pm Monday to Friday
9.00am — 5.00pm Saturday and Sunday
9.00am — 5.00pm Public Holidays
To complement 'Quilts 1700–1945', the Gallery presents an exhibition of contemporary quilts by the late leading Brisbane quilt-maker Ruth Stoneley (1940–2007).

Links re Ruth Stoneley...

Sunday, September 8, 2013

THE WRITING IS ON THE WALL... Parramatta Female Factory


You are invited to attend a showcase of artworks created by 

14 September 12.30 -4.30pm. 
This is an official history week event and will be followed with a public history symposium
 exploring the institutionalisation of women and children in Australia
held consecutively on the 26 and 27 September at UTS Broadway and at the Precinct.
Both events are free, symposium seating is limited and bookings are essential.

Parramatta Female Factory Precinct Memory Project